Case Study

Do star performers need to network? (B): Re-entry & visibility: Bénédicte Foucart

2 pages
December 2010
Reference: IMD-3-2190

After the birth of her second child, Bénédicte Foucart decided to take a career break. A year later, she re-entered the work force, starting a job with a new company: Firmenich. As a family company, with typically long employee tenure, relationships were important in Firmenich. How can Bénédicte ensure that she builds the network she needs to maximize her visibility for her career progression – especially since she doesn’t have time to dedicate to social events after work?

Learning Objective

Participants will learn how to manage their networks to enhance visibility, in a new environment and with limited time. This is a major issue, especially for women re-entering the work force, after the birth of a child, for example. However, it could also apply to other types of re-entry after career breaks, sabbaticals, etc.

Keywords
Networking, Career Management, Progression, Re-entry, General Management, Strategy
Settings
Switzerland
2000-2010
Type
Field Research
Copyright
© 2010
Available Languages
English
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This case study is part of a series
  • Do star performers need to network? (A)
  • Do star performers need to network? (B): Re-entry & visibility: Bénédicte Foucart
  • Do star performers need to network? (C): The case of the high-potential: Yvonne Benkert
  • Do star performers need to network? (D) at a mid-career crossroads: Natasha Nowak
This case study is part of a series
  • Do star performers need to network? (A)
  • Do star performers need to network? (B): Re-entry & visibility: Bénédicte Foucart
  • Do star performers need to network? (C): The case of the high-potential: Yvonne Benkert
  • Do star performers need to network? (D) at a mid-career crossroads: Natasha Nowak
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Do star performers need to network? (A)
By Bettina Büchel and Sophie Linguri Coughlan
Case reference: IMD-3-2189 ©2010
Summary
Pharmaceutical brand manager John O’Brady has just been passed over for the role of global marketing head of the drug brand for which he was respon...
Reference IMD-3-2189
Copyright ©2010
Copyright owner IMD Copyright
Available Languages English
Contact

Research Information & Knowledge Hub for additional information on IMD publications

Do star performers need to network? (B): Re-entry & visibility: Bénédicte Foucart
By Bettina Büchel and Sophie Linguri Coughlan
Case reference: IMD-3-2190 ©2010
Summary
After the birth of her second child, Bénédicte Foucart decided to take a career break. A year later, she re-entered the work force, starting a job ...
Reference IMD-3-2190
Copyright ©2010
Copyright owner IMD Copyright
Available Languages English
Contact

Research Information & Knowledge Hub for additional information on IMD publications

Do star performers need to network? (C): The case of the high-potential: Yvonne Benkert
By Bettina Büchel and Sophie Linguri Coughlan
Case reference: IMD-3-2191 ©2010
Summary
Networking had been central to Yvonne Benkert’s career – helping her to get her first job out of university, and then taking her to head of HR for ...
Reference IMD-3-2191
Copyright ©2010
Copyright owner IMD Copyright
Organization Man
Available Languages English
Contact

Research Information & Knowledge Hub for additional information on IMD publications

Do star performers need to network? (D) at a mid-career crossroads: Natasha Nowak
By Bettina Büchel and Sophie Linguri Coughlan
Case reference: IMD-3-2192 ©2010
Summary
Since May 2006, Natasha Nowak had been Director of Market Intelligence & Commercial Relations for a large food manufacturing company, splitting her...
Reference IMD-3-2192
Copyright ©2010
Copyright owner IMD Copyright
Available Languages English
Contact

Research Information & Knowledge Hub for additional information on IMD publications