This example shows the kind of driving force that is needed. It rests with entrepreneurs who are embedded in the communities and understand their struggles â and by doing so can make change happen. Â
 How to engage entrepreneursÂ
Creating civic wealth rests on bottom-up, collaboratively thought out, and carefully executed solutions. Many of the initiatives we looked at happen in communities that have been left behind. Â
Letâs say a major international factory closed because it was cheaper to manufacture in Mexico. Where does that leave the community? How do you engage entrepreneurs to take the initiative in such communities? Â
Take the example of Fogo Island, on the coast of Newfoundland in eastern Canada. From the 1850s until the 1990s it was a fishing community famed for its cod. The community was badly hit by the collapse of the Northwest Atlantic cod industry. Stores closed and the population halved.Â
Then came Zita Cobb, an eighth-generation Fogo Islander. After making her money in Silicon Valley, she and two of her brothers returned to Fogo Island. They pulled the community together and established Shorefast, which has since become one of Canadaâs largest social enterprises. Â
After initially setting up a luxury hotel, Cobb became the driving force behind the creation of an arts scene and a variety of businesses on the island. The community has been able to create a new environment in the face of fleeting economic resources, leaving behind feelings of depression and lack, and regaining its sense of increased economic well-being and love of place. Â
How to engage supportersÂ
It might sound unlikely, but there is always money out there for worthwhile projects. Yet support goes way beyond providing financial assistance. Letâs say that you have a group of people who have become aware of an abandoned building which is about to be demolished but would make a wonderful arts center which could champion diversity in their town. Â
This kind of project definitely needs people who are excited about preserving old buildings and those who are going to write significant cheques. But eventually youâve got to have the whole community involved â those who live around the building, as well as those whose art is going to be displayed, those who will provide unique and valuable insights into its design and development and those who will be customers.